Sofia Balashova

The original design came from Berthold Herold typeface, designed by Hermann Hoffmann during 1913 (Art Nouveau style) in Germany. This project started from flyer printed during 1947 with movable type, the specimen was scanned as a source to development some of the uppercase letterforms. However the most unusual and tricky element from this sample is the leg from the uppercase (R) which is different from the original Herold design, until now I didn’t found where this version originally came from. This stencil typeface only contain the bold weight, but there are also available other versions without stencil cuts, like Nouveau LX and Nouveau LX Expanded.

Hilsa is a new, very interesting brushed font. This font family is perfect for branding projects, logos, product packaging, posters, invitations, greeting cards, news, blogs, everything including personal charm and more.

Hilsa offers OpenType features, some ligatures and swashes, initial and terminal letters, and International support for most Western Languages.

To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions.

How to access all alternative characters, using Windows Character Map with Photoshop:

https://www.youtube.com/watch?v=Go9vacoYmBw

How to access all alternative characters using Adobe Illustrator:

http://youtu.be/iptSFA7feQ0nn

Hilsa is coded with PUA Unicode, which allows full access to all the extra characters without having special designing software. Mac users can use Font Book , and Windows users can use Character Map to view and copy any of the extra characters to paste into your favorite text editor/app.

Thanks so much for looking and please let me know if you have any questions.

Gracelina is a clear choice for designers and brands that communicate with a younger audience, but will also work well on book covers, branding, posters, logos, apparel, packaging, and digital environments.

Stroma is a serif display faces with moderate contrast and quirky cuts. Intended to use it on headlines in the editorial design environment or big type style graphics, The function of this typeface allows it to use on larger and compact text for any graphical elements that need special treatment. 

The details interpreted from the straight axis pointed into flourish calligraphic serif, the shape of the letter contains straight details and cuts, this gives them a rich and fine looks. The Stroma family includes four weights, ranging from Light to Bold with italic uprights.

I'm Roberto Teixeira, a Brazilian graphic designer. After looking for a form quite different from the existing types, created in 2019, Di Barros Fonts Family is composed by Di Barros Regular...for while. This,form covers the following, according to the Windows character map: Basic Latin, Latin Supplement 1, Extended Latin A, Extended Latin B, Additional Latin, Cyrillic, Greek, Greek Extended, Armenian and several other special types, such as currency symbols, numbers, fractions, Roman numerals, arrows, symbol of electricity, hearts and vector images, of own authorship and more.

Di Barros, with a good length, serves several languages.

I think Di Barros applies to fine environments, such as jewelry stores, fashion stores, cultural events and others, where a beautiful and non-aggressive look is required. But there is no better application than the one chosen for its inspiration and creativity.

Di Barros Fonts Family was made for you. Thank you for using it.

Hipsterious is casual and fun script that stands out from the crowd. Consist of two types, a regular and rough. Perfect to be used especially for logo type, signature, photography, quotes, apparel design, and any design needs. As usual, the font comes with many opentype features such as ligatures, stylistic set alternate, etc and also support multilingual.

Mastro is a contemporary design comprising 72 styles. With 9 weights and 4 optical sizes: Caption, Text, Sub-head and Display.

A super versatile font family ideal for editorial, graphic design, branding and web. Filled with iconic unusual shapes, yet with a super rigorous professional look this design will stand out and work efficiently.

Caption styles are meant for very small text like footnotes; Text styles are meant for long strings of text; Subhead styles are meant for sub-headlines; Display styles are meant for large size type setting. 

Mastro has many OpenType features such as Small Caps, Standard and Discretionary Ligatures, Superscript Letters, Case Sensitive Forms, Lining Figures, Old Style Figures, Tabular and Proportional Numbers, and more.

If you want to enlarge this font family make sure you get its sans counterpart: Mastro Sans.